The film begins with a dream, and much of it is spent trying to unravel the meaning of the dreams the veterans are having. Through dreams, flashbacks, and semi-hallucinatory conversations, the story of the massacre at Sabra and Shatila is unveiled. If the film had been shot in live-action, it would have lost all of the dreamlike qualities that animation lends to the portrayal of the dreams and the flashbacks. However, it does raise the question: is a documentary told by dreams really a documentary?
To me, Waltz With Bashir is still a documentary, because although it is technically grounded in dreams--not reality--those dreams are a part of the veterans' realities. Without the dreams and flashbacks, the war would not have been the same for them. In some ways, Waltz With Bashir is far more accurate in its portrayal of warfare than any live-action documentary could hope to be in that it brings the viewers inside the minds of the soldiers as they experience the war. We are seeing the war through their eyes, and the animation lends a sense of disconnect that all of the soldiers describe themselves experiencing from the war. They did not believe that it was real at times--and so the documentary is animated, or unreal.
An interesting perspective on the matter but I think you're too quick to dismiss the animation as beside the point. Film is a visual medium, so you can't really ignore the idea that you not only have people talking about dreams and rememberences. There is someone, the animator, interpreting those words and creating pictures based on those words. Isn't this the same as taking a biography of a soldier and turning it into a film? Even though the film would be "based on true events," that doesn't turn it into a documentary, right. Isn't this because there's a certain level of interpretation that must occur?
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